Works cited
Introduction
1. Richard Thomson, “Review: Rops,” Print Quarterly 17, no. 4 (December 2000): 428; Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009), 45.
2. Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009), 13.
3. See Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009); Robert L. Delevoy, Gilbert Lascault, Jean-Pierre Verheggen, Guy Cuvelier, Félicien Rops (Brussels: Editions Lebeer Hossmann, 1985); Bernadette Bonnier, Véronique Leblanc, Didier Prioul, Hélène Védrine, eds, Félicien Rops: Rops suis, aultre ne veulx estre (Brussells: Editions Complexe, 1998).
Images of Making
1. Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009), 86.
Allusions to Arts of Antiquity
1. Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009), 89.
2. Natale Conti, Mythologiae, trans. John Mulryan and Steven Brown (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2006), 318.
3. "Terminus," New World Encyclopedia, last modified 2 April 2008, <http://www.newworldencyclopedia.org/entry/Terminus>.
4. Bernadette Bonnier and Véronique Carpiaux, Museum Félicien Rops (Oostkamp, Belgium: Stichting Kunstboek, 2009),14.
5. Interview with Véronique Carpiaux on January 8, 2016.
6. "Pornocracy," Wiktionary, last modified 18 January 2016, <https://en.wiktionary.org/wiki/pornocracy>.
7. Natale Conti, Mythologiae, trans. John Mulryan and Steven Brown (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2006), 317.
Project Research
1. Interview with Véronique Carpiaux on January 8, 2016.
Sources
Bonnier, Bernadette and Véronique Carpiaux. Museum Félicien Rops. Oostkamp, Belgium: Stichting Kunstboek, 2009.
Bonnier, Bernadette, Véronique Leblanc, Didier Prioul, Hélène Védrine, eds. Félicien Rops: Rops suis, aultre ne veulx estre. Brussells: Editions Complexe, 1998.
Bielski, Sarah. “The Femme Fatale as seen in the work of J.K. Huysmans, Felicien Rops and Aubrey Beardsley.” Art Criticism 17, no. 1 (2001): 46-54.
Carpiaux, Véronique. Interview with Hannah Rose Blakeley. Namur, Belgium, January 8, 2018.
Conti, Natale. Mythologiae. Translated by John Mulryan and Steven Brown. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 2006.
Delevoy, Robert L., Gilbert Lascault, Jean-Pierre Verheggen, Guy Cuvelier. Félicien Rops. Brussels: Editions Lebeer Hossmann, 1985.
Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press, 1986.
Hoffmann, Edith. “The Influence of Félicien Rops.” Apollo: The International Magazine of Art & Antiques 119 (1984): 206-211.
Hoffmann, Edith. “Notes on the Iconography of Félicien Rops.” The Burlington Magazine 123, no. 937 (April 1981): 204+206-215+217-218.
Hoffmann, Edith. “Rops: peintre de la femme moderne.” The Burlington Magazine 126, no. 974 (May 1984): 260-265.
Holtzman, Ellen.“Félicien Rops and Baudelaire: Evolution of a Frontispiece.” Art Journal 38, no. 2 (Winter 1978-89): 102-106.
Horsley, A. Burt. “Pontiffs, Palaces and Pornocracy—A Godless Age.” In Peter and the Popes (Provo, UT: Religious Studies Center, Brigham Young University, 1989), 65–78. <https://rsc.byu.edu/archived/peter-and-popes/pontiffs-palaces-and-pornocracy-godless-age>.
Musschoot, Anne Marie.“The Art of Evocation: The Symbolist Movement in Belgium.” The Low Countries: Arts and Society in Flanders and the Netherlands, a Yearbook 2 (1994-1995): 148-155.
"Pornocracy." Wiktionary. Last modified 18 January 2016. <https://en.wiktionary.org/wiki/pornocracy>.
Richardson, Ruth. “’In the Posture of a Whore’? A Reply to Eric Hobsbawm.” History Workshop, no. 14 (Autumn 1982): 132-137.
"Terminus." New World Encyclopedia. Last modified 2 April 2009. <http://www.newworldencyclopedia.org/entry/Terminus>.
Thomson, Richard. “Review: Rops.” Print Quarterly 17, no. 4 (December 2000): 427-429.
Valazza, Nicolas. “Reading the Paratext in Clandestine Literature: The Case of the Publisher Poulet-Malassis.” Textual Cultures 6, no. 1 (Spring 2011): 97-113.
Zatlin, Linda. “Félicien Rops and Aubrey Beardsley: The Naked and the Nude.” In Reconsidering Aubrey Beardsley, edited by Robert Langenfeld, 167-205. Ann Arbor: UMI Research Press, 1989.
Ziegler, Robert. Satanism, Magic and Mysticism in Fin-de-siècle France. New York: Pelgrave Macmillan, 2012.